Re: SBC kit for education
Posted: Fri Sep 28, 2012 7:55 pm
BigEd wrote:
Another small SBC design is Halldor's - the site has been intermittently offline but is up at present.
Early on in the start of my POC project I looked at Hallidor's design for ideas. It's a good basic design that anyone with a reasonable amount of diligence should have no trouble bringing to life.
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It would be easy and desirable to substitute a clock can, unless explicitly teaching the workings of a crystal oscillator.
Something I would highly recommend. Fewer parts and a better quality clock signal, for one. Also, if the oscillator can is socketed, the Ø2 frequency can be readily changed during the course of experimentation without having to be concerned with how well the clock circuitry will work.
Quote:
He's using DIL headers and ribbon cable for expansion, which will be OK for very short distances. It wouldn't be difficult to swap in alternate grounds and the necessary extra headers, if that was a concern.
Right. The alternating ground principle (a feature I first saw in the SASI bus of the early 1980s) can make ordinary ribbon cable perform at pretty high frequencies. Of course, distance is going to be limited by capacitive loading unless bus transceivers are employed, but then the circuit would start to exceed the complexity level that should exist in a basic design.
One very minor quibble I have with Halldor's site (and this is mostly due to personal issues) is his use of color in his schematic. We older blokes generally don't have the vision of a twenty-year-old and in my case, I have partial blue-green color blindness that renders some details on his schematic invisible to me. Usually I counteract that in an image in which I am interested by copying it into an image viewer and disabling color. Or I print it using monochrome.
For personal use, color obviously can be a benefit, especially if there is quite a bit of complexity. However, in something that is to be publicly displayed, some consideration of viewability is beneficial. In my own work (especially mechanical drafting, where color helps to discern layers and hidden views) I stick to high contrast colors that I can readily discern, knowing that if anyone else has to view the drawing they will probably be able to see the detail with some clarity.