Dr Jefyll wrote:
The KIM-1 modulation scheme never ceases to output a signal; it merely switches between a high frequency signal and a somewhat lower frequency signal (as described
here). This is FSK (Frequency Shift Keying), which is quite literally a form of FM (Frequency Modulation). But AIUI your proposed system switches between presence and absence of the audio signal, and this has implications in regard to the AGC's meddlesome interference. You'll want the 1 or 2 second header to have a 50% duty cycle of "signal present" in order to let the AGC stabilize.
Jeff, very very good points.
First off, I do not plan on using a literal cassette tape. Though it would be nice to see that it would work on one! I do not know about this AGC or the FSK, but I am somewhat understanding what you are talking about.
As for the FM signal, YES! I had read that post, and looked into the Commodore Datassette in particular. One particular frequency is 1, another is 0, right?
Attached is a picture of what I think that should look like. I think I used 2000 Hz and 1000 Hz, whatever works best of course. So the picture should read out 1, 0, 1, 1, 1, 0, 0, 1, 0. Or I guess 0, 1, 0, 0, 0, 1, 1, 0, 1. I could determine 1 and 0 from the length of pulse, basically.
Now, going backwards is the tricky part. I seem to have dug myself into an analog hole here! Can I once more show the Apple 1 cassette schematic?
https://www.applefritter.com/files/imag ... c-6889.gifNotice the "To Tape" section. It's... a flip-flop, 10K resistor, and 100 ohm resistor to ground... And that's it. I must be missing something. Jeff, are you saying that my digital signals will 'automatically' be converted into analog signals when I record? I will have to test this actually. That will determine what's really going on here.
Thank you for the post! That is very helpful information. A brand new journey, and I didn't even know it!
Chad